Gander
A mendicant bowing before a holy man, from the Prince Salim Album (c. 1585; inner border added in Allahabad c. 1602; outer bo Zoom

A mendicant bowing before a holy man, from the Prince Salim Album

Basawan · c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s

Download

Fine-art print

Coming soon

Made to order in 2–4 working days, then 2–5 days, tracked — arrives about 1–2 weeks.
£5 flat-rate shipping — free over £60. Rolled, worldwide.
Every order is damage-covered — printed just for you, so no change-of-mind returns.

Palette

Mood & subject

CC0Free to use — public domain.Personal and commercial projects, no attribution required.

Complete the wall

Three prints that hang beautifully together — chosen to share this piece's palette.

£18 each · £54 for all three

Looks similar

A holy man prostrating himself before a learned prince — Manohar

A holy man prostrating himself before a learned prince

Manohar

Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Repenting his conduct, ‘Ubaid falls at the feet of his parents, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Unknown artist

The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night

The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night

Unknown artist

Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Unknown artist

The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night

The Raja of Ujjain, who is traveling in the guise of a yogi, meets two brothers who ask him to equitably partition their father’s possession, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night

Unknown artist

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Unknown artist

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night — Daswanth

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night

Daswanth

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) — Mushfiq

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

Mushfiq

The guard restores the son who falls at his mother’s feet, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

The guard restores the son who falls at his mother’s feet, from a Tuti-nama (Tales of a Parrot): Fiftieth Night

Unknown artist

The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night

Unknown artist

Vabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama — Sur Das Gujarati

Vabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama

Sur Das Gujarati

Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

Unknown artist