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Pink

226 works where pink leads the palette, walked along the colour wheel.

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226 works
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Bust of a Woman (recto) — Benozzo Gozzoli

Bust of a Woman (recto)

Benozzo Gozzoli · c. 1458

52% in your colours

Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso) — Benozzo Gozzoli

Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)

Benozzo Gozzoli · c. 1458

42% in your colours

Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso) — Benozzo Gozzoli

Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)

Benozzo Gozzoli · c. 1458

The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

The lover of Hamnaz, who has been hanged from the gallows, bites off her nose when she kisses him, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unknown artist · c. 1560

Woman on Rose Divan — Henri Matisse

Woman on Rose Divan

Henri Matisse · 1921

Design for a Printed Textile

Design for a Printed Textile

Unknown artist · 1725/50

Egypt and Palestine, Volume II — Francis Frith

Egypt and Palestine, Volume II

Francis Frith · 1857

Illustrated Book of Flowers and Butterflies

Illustrated Book of Flowers and Butterflies

Unknown artist · 1800s

50% in your colours

Blue Plate — Leon Kelly

Blue Plate

Leon Kelly · ca. 1940

The Apple Seller — Pierre-Auguste Renoir

The Apple Seller

Pierre-Auguste Renoir · c. 1890

Rider and four-legged creature with floral motif

Rider and four-legged creature with floral motif

Unknown artist · 1900s

Chintz door curtain

Chintz door curtain

Unknown artist · 1800s

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge — Henri de Toulouse-Lautrec

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge

Henri de Toulouse-Lautrec · 1892

The Golden Hour — Samuel Palmer

The Golden Hour

Samuel Palmer · 1865

Taurus, from a "Mandi Astrology Series" — Sanju

Taurus, from a "Mandi Astrology Series"

Sanju · c. 1810

The Ascent of the Prophet to Heaven, Page from the Khamsa of Nizami — Islamic

The Ascent of the Prophet to Heaven, Page from the Khamsa of Nizami

Islamic · Safavid dynasty (1501–1722), c. 1600

Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories) — Shravana

Timur distributes gifts from his grandson, the Prince of Multan, from a Zafar-nama (Book of Victories)

Shravana · 1598–1600

The daughter of the king of the jinns bows before the King of Kings who has just undergone the ordeal of passing through the boiling oil to emerge as a youth, from a Tuti-nama (Tales of a Parrot): Seventh Night

The daughter of the king of the jinns bows before the King of Kings who has just undergone the ordeal of passing through the boiling oil to emerge as a youth, from a Tuti-nama (Tales of a Parrot): Seventh Night

Unknown artist · c. 1560

The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night

The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night

Unknown artist · c. 1560

The Immaculate Conception — Guido Reni

The Immaculate Conception

Guido Reni · 1627

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Unknown artist · c. 1560

Autumn Forest — Dwight Blaney

Autumn Forest

Dwight Blaney · 1924

Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough — James Gillray · Hannah Humphrey

Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough

James Gillray · Hannah Humphrey · January 23, 1806

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)

Unknown artist · c. 1710–20

Rider and four-legged bovine creature with border of colored squares

Rider and four-legged bovine creature with border of colored squares

Unknown artist · 1900s

The Sofa — Henri de Toulouse-Lautrec

The Sofa

Henri de Toulouse-Lautrec · ca. 1894–96

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Unknown artist · c. 1560

Two Reclining Nudes — Egon Schiele

Two Reclining Nudes

Egon Schiele · 1911

Bouquet of Flowers — Odilon Redon

Bouquet of Flowers

Odilon Redon · ca. 1900–1905

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492) — Mushfiq

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

Mushfiq · 1603–7

Page from the St. Petersburg Album

Page from the St. Petersburg Album

Unknown artist · Portraits: Top left: Iran, c. 1740; top right: Iran, c. 1748; bottom left: India, 18th century; bottom right: India, 18th century; Calligraphy: Iran, late 16th century; Borders: Iran, mid–18th century

Krishna Standing by Radha who is Seated on a Chair

Krishna Standing by Radha who is Seated on a Chair

Unknown artist · c. 1890

Princely ascetic in the forest visited by ladies

Princely ascetic in the forest visited by ladies

Unknown artist · c. 1760

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Unknown artist · c. 1560

The wolf advises the lion to consult the cat, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

The wolf advises the lion to consult the cat, from a Tuti-nama (Tales of a Parrot): Fifteenth Night

Unknown artist · c. 1560

Raja Riding a Horse

Raja Riding a Horse

Unknown artist · c. 1890

Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page

Unknown artist · c. 1560

The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Unknown artist · c. 1560

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night

Unknown artist · c. 1560

A Procession Scene with Musicians, from a copy of the Padshanama — Mughal

A Procession Scene with Musicians, from a copy of the Padshanama

Mughal · c. 1650

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Unknown artist · c. 1560

Balarama and Krishna

Balarama and Krishna

Unknown artist · c. 1890

The Parson [Reverend O'Meara] and the Clarke — Thomas Tegg · Thomas Rowlandson · Mary Anne Clarke

The Parson [Reverend O'Meara] and the Clarke

Thomas Tegg · Thomas Rowlandson · Mary Anne Clarke · March 17, 1809

The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night

The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night

Unknown artist · c. 1560

The destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

The destitute Mukhtar meets his wife Maimuna at a holy shrine, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unknown artist · c. 1560

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night

Unknown artist · c. 1560

The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-ninth Night, from a Tuti-nama (Tales of a Parrot)

Unknown artist · c. 1560

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unknown artist · c. 1560

The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)

Unknown artist · c. 1560

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night — Daswanth

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night

Daswanth · c. 1560

Showing 50 of 226 works