Overcast City

Architecture in greys — stone, shadow and skies that can't decide.

907 works

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Madonna and Child Enthroned with Saints

Raphael · ca. 1504

The Annunciation

Sandro Botticelli · ca. 1485–92

The Love Song

Edward Burne-Jones · 1868–77

Virgin and Child with Four Angels

Gerard David · ca. 1510–15

Modern Rome

Giovanni Paolo Panini · 1757

Gardanne

Paul Cézanne · 1885–86

Saints Peter and John Healing the Lame Man

Niccolo Pussino · 1655

Pirna: The Obertor from the South

Bernardo Bellotto · mid-1750s

Porte de la Reine at Aigues-Mortes

Frédéric Bazille · 1867

Corridor in the Asylum

Vincent van Gogh · September 1889

Ancient Rome

Giovanni Paolo Panini · 1757

Rue de l'Epicerie, Rouen (Effect of Sunlight)

Camille Pissarro · 1898

51% in your colours

Piazza San Marco

Canaletto · late 1720s

View of Heidelberg

Jan Brueghel the Elder · ca. 1588–89

Scalinata della Trinità dei Monti

Giovanni Paolo Panini · ca. 1756–58

The Burial of Punchinello

Giovanni Domenico Tiepolo · ca. 1800

Piazza San Marco

Francesco Guardi · late 1760s

Capriccio with a Square Tower and Two Houses

Francesco Guardi · 18th century

73% in your colours

An Overgrown Mineshaft

Carl Gustav Carus · ca. 1824

The Birth of the Virgin

Fra Carnevale · 1467

49% in your colours

Vaux-hall

Thomas Rowlandson · Robert Pollard · Francis Jukes · John Raphael Smith · June 28, 1785

Landscape with Saint John on Patmos

Niccolo Pussino · 1640

The Holy Family on the Steps

Niccolo Pussino · 1648

The Fountains

Hubert Robert · 1787–88

Landscape with the Ruins of the Castle of Egmond

Jacob van Ruisdael · 1650–55

44% in your colours

View of Delphi with a Procession

Claude Lorrain · 1673

Equestrian Portrait of the Emperor Maximilian

Hans Burgkmair the Elder · 1508

100% in your colours

The Battle-Array of Carberry-hill near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell

Mary, Queen of Scots · George Vertue · John Oliver · Livinus de Vogelaare · Robert Peake the Elder · 1742

95% in your colours

The House with the Cracked Walls

Paul Cézanne · 1892–94

Christ Presented to the People

Rembrandt · 1655

Holy Family on the Steps

Nicolas Poussin · Claudine Bouzonnet Stella · 1668

Ericstan, for John J. Herrick, Tarrytown, New York (perspective)

Alexander Jackson Davis · 1855

The Lictors Bringing Brutus the Bodies of his Sons

Jacques-Louis David · 1787

Street at Saverne

James McNeill Whistler · 1858

The Lime-Burner (W. Jones, Lime-Burner, Thames Street)

James McNeill Whistler · 1859

The Adoration of the Magi

Giovanni Battista Tiepolo · late 1750s

Allegorical Figure Representing Fortitude

Giovanni Battista Tiepolo · 1760

Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Vene

Giovanni Battista Piranesi · Giovanni Bouchard · ca. 1749–50

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)

Giovanni Battista Piranesi · Bouchard & Gravier · ca. 1756

78% in your colours

Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome)

Giovanni Battista Piranesi · 1760

Plan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., from Le Antichità Romane (Roman Antiquities), tome 3, tavola 49

Giovanni Battista Piranesi · Angelo Rotili · published 1756–57

42% in your colours

Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, from Le Antichità Romane (Roman Antiquities), tome 3, tavola 53

Giovanni Battista Piranesi · Angelo Rotili · published 1756–57

76% in your colours

Perspective view of the same candelabrum, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

Giovanni Battista Piranesi · 1778–80

View along the Via del Corso of the Palazzo dell'Accademia, established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture..., from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi · ca. 1750–78

Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], from Della Magnificenza e d'Architettura de'Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London), tab. 20

Giovanni Battista Piranesi · mid-18th century

69% in your colours